May162013

childishnotions:

writing is safer, somehow
because my pen cannot stutter like my lips do,
and words get stuck in throats,
not fingertips, can’t stumble
on paper trails of blue lines
because writing is definite and clear
and no one can tell if i am crying
or laughing
through written words alone 

(via jenfangirls)

May92013

commanderinqueef:

*cracks knuckles*

*opens microsoft word*

*takes 30 min break*

*comes back*

*word still hasn’t finished loading*

*takes another break*

(Source: rlymax, via girlwithg0ldeyes)

3PM

amandaonwriting:

A Writer’s Rule Book

From Hunter’s Writing

May72013
“Walk into a bookshop and you will see books that you love and books that you hate, books that were written in three weeks and books that took thirty years, books that were written under the influence of drugs and alcohol, books that were written in splendid isolation, books that were written in Starbucks. Some of them were written with enormous enjoyment, some for money, some in fear and loathing and despair.

The only thing they all have in common is that their authors finished them, sooner or later.” Nick Hornby, on the crucial first step towards seeing your book in shops. (via lettersandlight)
May42013
“Half the job of a working writer is to seek and maintain his own affinities. You’ve got to know where to lay your empathy and why. And you’ve got to know how to recognise the kind of material that releases your imagination. You don’t always find those things in other novelists: often, indeed, it will be the artist in the next field, the craftsman, the expert, the sportsman, the hero in another line, who will pump fresh air into the recesses of your talent.” In considering writers in love with other art forms, Andrew O’Hagan adds to our ongoing archive of wisdom on the written word by pointing out that great writing, like great science, is a craft of cross-disciplinary, combinatorial creativity.  (via explore-blog)

(Source: , via jenfangirls)

5PM

“Every author decides to go on a grand adventure one day, and that grand adventure is to find her voice. She leaves the comfort of her own wordsmithy and she traipses through many fictional worlds written by many writers and along the way she pokes through their writings to see if her voice is in there somewhere. She takes what she reads and she mimics their voices, snatching little pieces of other authors with her in her mind and on the page.

Is her voice cynical? Optimistic? Short and curt, or long and breezy? She doesn’t know and so she reads and she writes and she lives life in an effort to find out.

This adventure takes as long as it takes, but one day the author tires of it and she comes home, empty-handed, still uncertain what her voice looks like or sounds like.

And there, at home, she discovers her voice is waiting. In fact, it’s been there all along.

Your voice is how you write when you’re not trying to find your voice. Your voice is the way you write, the way you talk. Your voice is who you are, what you believe, what themes you knowingly and unknowingly embrace. Your voice is you. Search for it and you won’t find it. Stop looking and it’ll find you.”

http://the52review.blogspot.com/2013/05/interview-with-chuck-wendig.html (via terribleminds)
May12013
April272013

a-writers-littlethings:

Do you guys ever get lost in your writing? Like you’re in the zone, ideas are flowing but then you look at the clock and you realize that life is catching up to you and you have to actually do things?

image

(via fuckyeahauthordog)

April252013
April232013
“It’s work. It’s not always pleasant work. Sometimes it invokes a deep, almost psychic pain — an anxiety that blooms into an acid-spitting flower corrosive to confidence and craft. And yet, the words are the words. They only matter when they manifest. And you’re the magician that summons them into existence — their manifestation is on you and you alone. Nobody said it would be easy. Nobody’s saying you have to write thousands of words per day. You write what you can write. But that verb is still in place: write. Whether you write ten words or ten-thousand, they still involve you taking off your pants, setting your coffee onto its coaster, petting your spirit animal, then sitting your ass into the chair and squeezing words from your fingertips until you collapse, unable to do any more. It doesn’t matter if it’s good. Not now.

It only matters that it’s done.

Put your ass in the chair.

No, that doesn’t tell you how to write.

But it does tell you where it begins and where it ends: with you. You are a character with agency. You are a god in this world. Creativity is a worthless state of being without the verb that triggers it: to create. Creativity is the match. You still need to strike it and light the fire.

You can’t just always bully your way through a story, true. A great deal of writing remains in the head. And it comes with patience. And craft. And with your burgeoning intuition. Just the same, the end result of writing is the written word.

And the words only get written when you fucking write them. ” Chuck Wendig, “The Admonition of Ass-In-Chair, Or, ‘How Writing Is Actually Work’” (via jaimecallahan)

(via blueinkalchemy)

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